Born in the central Mexican city of Guanajuato in 1886, Diego Riverawent on to become one of the great Modernists of 20th-century art, as well as, arguably, the most important painter in his nation’s history.

Best-known for his murals on public buildings in Mexico and the United States, Rivera also made a number of easel paintings, watercolours and drawings. ‘Above all, he was a magnificent storyteller,’ says Virgilio Garza, Head of Latin American Art at Christie’s. ‘Rivera could tell tales on both an epic scale and a small, intimate one’.

In May 2018, his painting The Rivals  realised $9,762,500 in The Collection of David and Peggy Rockefeller sale, setting a world-record price at auction for not just Rivera but any Latin American artist.

Rivera’s early career and Cubism

A child prodigy, he started drawing at three. By the age of 10, Rivera was enrolled full-time at the San Carlos Academy of Fine Arts, in Mexico City. In 1907, he moved to Europe, settling first in Spain and then Paris. His work from this period reveals the influence of a wealth of European masters: from El Greco to Cézanne.

A friend and rival of Picasso’s, Rivera made his name as part of the Cubist movement. One of his main works in this style was 1915’s Zapatista Landscape, which today forms part of the collection of the Museo Nacional de Arte in Mexico City.

When did Rivera start painting murals?

Rivera returned to his homeland in the early 1920s, shortly after the Mexican Revolution concluded. The artist was one of the revolution’s greatest champions, helping to spread the message of a new Mexico by painting vast, state-sponsored murals — on buildings such as the National Palace and the Secretariat of Public Education in Mexico City. Here he connected the country’s revolutionary present to a heroic, ancient past.

‘Gone was the doubt which had tormented me in Europe,’ said Rivera, later in life. ‘I now painted as naturally as I breathed, spoke, or perspired’.